The people who used to nominate the animated features were members of the Short Films and Feature Animation Branch, comprised largely of individuals who work in the animation industry, as well as select members invited from other branches.
After the nominations are selected, the voting to determine the winner of the Academy Award is opened up to all 17 Academy branches, which includes actors, casting directors, executives, film editors, make-up artists, hair stylists, musicians, public relations, sound designers, and writers, among others. The general membership is the group that has voted to give the animated feature Academy Award to the same corporation — The Walt Disney Company — for nine out of the last ten years. That voting pattern, combined with past comments about animation by the general membership, suggest that the category is about to be pushed into more commercially oriented territory.
One of the companies that could be affected by this new rule change is independent American distributor GKIDS, which has done a remarkable job of launching foreign animated features into the limelight over the past decade. This year, the company earned its ninth Oscar nomination for the Swiss-French co-production My Life As A Zucchini.
GKIDS founder Eric Beckman spoke with Cartoon Brew this afternoon about the new rule changes. He expressed hopefulness that voters would “still respond to good filmmaking in the same way that the broader Academy has responded to good filmmaking in live-action.”
“GKIDS has made a name for ourselves by championing a broader definition of animation as a cinematic art form on a par with live action,” he added. “To the extent that we can find films that exemplify or approach that aspirational goal, I think that people are going to respond to that.”
GKIDS, however, isn’t the only studio that stands to be affected by the new rules. In 2016, Charlie Kaufman and Duke Johnson’s penetrating character study Anomalisa earned a nomination. Distributed by Paramount, the stop motion feature was the first independently produced American feature to compete in the category’s 16-year history.
This year, one of the nominees was Michael Dudok de Wit’s poignant The Red Turtle, a hand-drawn/cgi hybrid that was released by Sony Pictures Classics in the United States and produced by Studio Ghibli and other European co-production partners.
It is films like Anomalisa and The Red Turtle that the Academy may ultimately be trying to knock out of contention, according to a piece published by The Wrap. They report that there have been internal debates within the Academy about finding ways to eliminate ‘old school’ animation and focus more attention onto commercial cgi projects:
The committees have been under increasing criticism in recent years for shunning films like The Lego Movie and showing a marked preference for hand-drawn or stop-motion films over CG movies…The move should substantially increase the number of…